When questioned about his belief in intelligent extraterrestrial life, the late author and astronomer Carl Sagan replied that the key word is 'believe'."In my view, you believe only on the basis of compelling evidence. But I think it would be fantastic, not just a major scientific discovery, but a transforming experience in human history." Contact, is the alchemical synthesis of Sagan's Pulitzer Prize winning novel and the extraordinary talents of director Zemeckis of Forrest Gump fame.
Foster stars as Ellie Allroy, a headstrong scientist who, despite the ridicule of the scientific community, has dedicated her life to the pursuit of evidence for extraterrestrial life. As if through sheer will power, her belief is eventually vindicated when she receives a sign - in the form of a cryptic message from the distant star Vega. The message conveniently contains the blue prints for a travelling device which can take one representative (Ellie) from earth back to Vega to make the first ever human/alien 'contact'.
Vega's message throws the world into a state of political and philosophical debate -much of the story is relayed through cameo performances by television presenters from CNN - in a similar vein to Luhrmann's Romeo and Juliet it effectively confuses boundaries of reality and fiction.
Mixing with important government cronies, Ellie is reunited with an old flame Palmer Joss (McConaughey) who is now a world respected religious leader and government adviser. The renewed relationship forces Ellie to confront the confusing nexus of science and religion or fact and faith. But as it turns out, all the scientific knowledge in the world could never prepare Ellie for what she eventually finds on 'the other side.'
Contact takes an exquisite tangent to the usual Hollywood hyped-up effects and watered-down plot (read sci-fi money makers). There are no predictable government conspiracies or violent alien take overs here. A glistening other-worldliness radiates from the technically awesome and breathtakingly beautiful special effects. But the film's true majesty lies in its skilful handling of astronomical themes filtered elegantly through the intimate details of one woman's search for a deeper understanding of her place in the world.If the film has any faults it's certainly in the often implausible narrative (a dash of hyperbole may be involved in suggesting that a zillion dollar spaceship of alien design can be made in, ummm, a couple of weeks?!) but structural loopholes are easily forgiven in the formidable shadow of this utterly magnetic and compelling story. ---Melissa Bollinger
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