To the makers of this film, and probably to most of its viewers, this is familiar territory. The whole "wog boy" phenomenon has been around in various versions and formats for some years. This first transferal to the big screen, however, has brought freshness, not staleness, and the many years developing the material have paid dividends.Wog originator Nick Giannopoulos winningly plays the hero, Steve, who likes to hang out with fellow "dole bludger" and self-proclaimed babe magnet Frank. When doing a Saturday Night Fever routine at the local ethnic Melbourne disco these two are unbeatable local heroes. But when it comes to actually making something of their work lives, or pairing up with more than a one-night stand, they struggle.
The twisty comic plot really gets under way when Steve bashes his car into a politician's limo. The politician is a right wing harpy called Raelene Beagle-Thorpe (Geraldine Turner gives a wonderfully evil comic performance, playing her as a cross between Amanda Vanstone and Pauline Hanson). Initially, Raelene and her spin-doctors think they can handle the wog boy, but Steve's naïve shoot-from-the-hip style charms the TV audiences. Raelene is challenged to an open debate on the Derryn Hinch show with a marvelous comic outcome.
It is strange to see Hinch here gamely playing himself. In some ways, however, this is the one element in the film that seems dated. Threaded through all the Frontline-ish political satire is a love story as well, with both Steve and Frank wooing their respective girlfriends.
The film is faithful to its origins and no doubt Australians who have Southern European backgrounds will get all the jokes, and will relish the "squirm factor" even more.However, like The Castle before it, this satirizes a section of Australian society with such carefully judged absurdity that it turns into love and coaxes us into loving them too. ---Julian Wood
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